SUGAR HIGH
Inspired by retro futurism. Contrast and clash between short hair and bouffants, mullets and updos … in powdery sweet confection colors.
Photographer: Joseph Cartright
PRISTINE
Simplicity is everything. Stripped down to the most basic shapes, each look draws its power from an impeccable, mirror-like finish—proof that polish alone can turn something plain into something striking.
Photographer: Mike Ruiz
GROOVE
Groove is color caught mid-thought—bright streaks bleeding in and fading out of glossy black, like a signal breaking through static. Traced lines run down the skin like a needle finding its path, hinting at the vinyl still to come.
Photographer: Nico Iliev
VINYL
Vinyl lives in a world where hair and record become one—glossy black strands coil and twist like grooves on wax, spinning through neon rings and circuit-lit corridors. Part machine, part music, part hair: you're never quite sure where one ends and the other begins.
Photographer: Joseph Cartright
SPACE
Space is about scale—hair pushed into massive, weightless forms that claim the air around the face as much as the head itself. Color melts into shadow across every surface, so the shape and the shading become one and the same.
Photographer: Joseph Cartright
SUPERMODEL
Supermodel imagines beauty standards from another planet—where hairlines shift, lashes grow from unexpected places, and the proportions we know are just slightly, deliberately wrong. Still elegant, still commanding the camera, just built by different rules entirely.
Photographer: Nico Iliev
DOLL
Doll is one face, endless possibilities—inspired by a vintage Barbie and her collection of interchangeable wigs. Set against a soft 1950s palette, the same porcelain beauty is remade again and again, proving the right hair can turn one muse into five different women.
Photographer: Nico Iliev
FUR
Fur imagines a planet where hair never existed—only fur, growing wild and untethered from the rules of a human hairline. Sculpted into spines, tufts, and quills, this is beauty reimagined for another species entirely.
Photographer: Alain Comptois
BURN
Burn began as a single question, carried for twenty years—what if a line were burned into hair instead of cut? Pushed through flame instead of scissors, this collection turns color and texture into something no blade could ever create.
Photographer: Nico Iliev